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Wordperfect: JC aka Wordperfect is a MC's MC. Originally from Christchurch, he has fought hard to showcase true freestyle skills and elevate the current standards of microphone control with his Auckland, National and NZ vs Australia MC Battle for Supremacy events. He has released three singles, 'The Word Perfect Show', "I'm Gonna Get You' and most recently 'Real Life Reel' on the acclaimed Woodcut compilation produced by Juse. He is set to release his debut album featuring some of the finest artists NZ has, in August 2004. The title for the album is 'Spellcheck'; you have been warned. |
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MC Battle exponent and founding father, cultural supporter, freestyle phenomenon, B-boy, artist and party rocker-everything you can fit under the Hip hop banner is embodied in this artist. Hailing from Christchurch and now residing in Auckland city Wordperfect is ready to explode on the national scene with his album ‘Spellcheck’. The album is due out in August with the first video/single off the album ‘Why boys cry’ featuring Reotakiwa. From his early days rocking Christchurch airwaves with the Beats n Pieces crew (Antsman from ‘Rhombus’, Hame from ‘Breaks Co-op’ and DJ Pause-1 from ‘What Now’ fame) this MC has battled to national finals, founded the Trans Tasman and soon Commonwealth MC battle scene, and placed third in New Yorks biggest MC battle ‘The Rock steady Crew Anniversary – MC battle’ in 2002. He is part of King Kapisi’s Overstayer crew and recently returned from the Australasian tour of the Big Day Out with the king to huge support. Now it is time for this artist to create a new sound for New Zealand Hip-hop. A Caucasian view of his environment, with a deep foundation in the elements of Hip-hop culture and black music. Whilst the party will be apparent the message will be loud and clear of what Wordperfect stands for. Love, skills and depth. For ‘Spellcheck’,
Wordperfect called on the likes of contributors Nat Rose, Tyna Keelan,
DJ CXL and a smorgasboard of producers including DJ Logikal, Dub Asylum's
Peter McLennan (who produced the first two tracks on the album), Hamish
Clark and Chris Macro; with the ever reliable Luke Tomes on recording,
mastering and mixing duties. PRESS... MC
battles the new stand-up comedy? In a small, dark Auckland nightclub a crowd cheers on an unpredictable and humiliating fight, grinning and hollering at the on-stage scuffle. But this duel has a weapon of an unlikely kind: poetry. "You try to be black but you're whiter than chalk, man, you can't even talk, man, why don't you run home to your mother in South Auckland?" threatens a contender in the Auckland MC Battle for Supremacy. Tomorrow night the national battle will expose New Zealand's quickest, smartest and wittiest freestyle MC (a rapper who makes it up on the spot) in what organiser Justin Cunningham calls "lyrical chess". Previous winners include Mareko, of the South Auckland hip-hop collective Deceptikonz, and Imon Star, of acclaimed bands Rhombus and Nuvonesia. Cunningham, a Christchurch-born MC known as Word Perfect, started organised battles in New Zealand three years ago so he could compete in them himself. Now, he says they have developed into a forum that encourages and promotes the art of rhyme. "It's not really about finding winners, it's about elevating skills," he says. A lot of people don't understand freestyling. They think it's just a gimmick. Like a verbally abusive theatresports, an MC battle is a challenge between two freestyle MCs who alternate on the mic over a hip-hop beat. The idea is to prove the opponent inferior by lyrically pouncing on as many of their flaws as possible. Whereas mainstream MCs such as Busta Rhyme and Xzibit write their rhymes, the thrill of the battle is in its conflict, humour, showmanship and risque spontaneity. "You've got to come prepared, to be mentally agile and you've got to be able to react quickly," says Cunningham. "A big part of battling is listening. Eventually your opponent will say something you think is bull. Then you've got to prove that to the crowd." "A lot of people can rhyme but they have no rhythm," adds Con Psy, (real name David Dallas), a 22-year-old computer science graduate who took out the Auckland Battle for Supremacy despite it being his first time on stage. "If you ride the beat properly it makes it easier for the audience to understand." Like any confrontation, things can get heated. The mantra "If you don't have anything nice to say ... " certainly doesn't apply. "You've got to latch on to anything you see," he continues. "They might have a big nose, a high voice, wack clothes or they might remind you of a rapper who sucks. You can't hold back. At the same time, you've got to make sure you're not doing anything stupid, because if you look nervous or you're holding your hands a funny way, if they're smart they'll notice and use it against you." Despite the name-calling, physical fights have never broken out at local battle events. "I make sure everybody shakes hands before they get off stage," says Cunningham. "I'm not having anybody disrespect my event or the efforts of another person because they got their emotions hurt. If you can't handle being ridiculed, don't battle." The battle scene evolved from hip-hop's conception in the 1970s in the Bronx, New York. As rap gained popularity, MCs began to challenge one another and from this new form of entertainment came American superstar MCs such as Supernatural and Juice. During an interview in the upcoming independent doco The Art of Rhyme, Supernatural confides he honed his craft by forging a close relationship with his dictionary. These days, it's a film by a certain global rap star attracting new punters to MC battles. "A lot of people appreciated 8 Mile and they want to see it live," says Cunningham. "The general interest and understanding is bigger." Unlike rap that can be recorded and sold, battling is a difficult realm in which to make money as it relies on crowds and corporate sponsors. Cunningham believes it has a chance to thrive here as it does in the States, where big battles are staged to sign new talent. "If a professional battle circuit was arranged not just in Auckland and New Zealand but the South Pacific and the Commonwealth, there'd be bigger sponsorship, more endorsements and more money. Battle MCs would be able to forge careers out of their art." In the meantime, Con Psy is busy producing hip-hop tracks with friend DJ 41-30, one of which was released to radio station 95bFM last week. Cunningham is a mentor for the New Zealand Music Industry Commission and visits schools to teach the battle MCs of tomorrow to rap. "We play rhyming games like Drop a Topic, where you explore a word in as many different terms as you can," he says, focusing on a nearby wall before rattling off an impromptu dialogue. "I'm gonna poster things on the internet, I'm gonna poster things on the wall ... "At first the kids are nervous and giggly but before long they can see how much fun rhyming can be." Children and hip-hop fans aren't the only ones who find rhyming entertaining. "You can take anyone to an MC battle," says Con Psy. "If you see someone trip up, half the time you don't help them, you sit back and laugh at them. People go to see an MC battle for the same reason they go to see stand-up comedy. Insulting people is always going to be funny." Performance * What: The New Zealand MC Battle for Supremacy * Where: Club 4:20, 373 Karangahape Rd, Auckland. |